On Tuesday 12th April I went to see Wilbur Smith who was ‘in conversation’ at the Royal Geographical Society in London. At these events a famous person is interviewed by a journalist, in this case Mary Rhodes from the BBC, and asked questions about their life and work.
We started off with a few anecdotes about his early life, as a child shooting pigeons while lying in bed, and a witty story about fishing using a stick of gelignite, which blew up the canoe Wilbur was sitting in. We also heard about how he became an accountant, mainly because his father admired his own accountant, so thought it would be a worthwhile career for his son. He ended up working in a tax office in Harare, and wrote his first book ‘ When the Lion feeds’ in work time on government stationary as he didn’t have a great deal to do.
Mary Rhodes asked him about his hunting and if he felt bad about killing a bull elephant. Wilbur pointed out that when he was a child there was such an abundance of animals it was almost as if they could never end. He also described how hunting could help communities in Africa. If an American hunter will pay $125,000 to shoot an old bull, and that half that money goes to the tribe in the area where the elephants live, then the people will look upon them as an asset, and they will be converted from poachers to conservationists. An old bull will have given all he can to the herd by passing on his genes; many of the younger animals will be his offspring. All he can look forward too is a death by slow starvation as his teeth wear down, so what is so wrong with a hunter shooting him, particularly as so many people will benefit from it?
Wilbur has a soft South African accent and he clearly loves Africa. He said he regarded Africa as a treasure house of stories, which was good because he thought people were fascinated by Africa seeing it as a romantic place full of adventure and danger. It also has such varied terrain and landscapes and well as wonderful flora and fauna. Interestedly he didn’t mention the people, about whom he has always written about with such insight and respect. Asked about how he sees the future for Africa, he said ‘Africa is eternal’ and that countries like South Africa will change but they will survive.
Talking about his writing, he said a writer should write for themselves and should write about what they know about, which is why he always wrote about Africa. A writer should be immersed in their environment in order to be able to write about it. For him, the characters were the most important part of the story, and I was lucky enough at the end to ask him which was his favourite character. Sean Courtney he said,, because he was the first, but he was also very fond of Taita, from the Egyptian series.
Wilber’s advice for writers is to start with a deadline, work business hours, have a daily routine and stop before you get tired, which for him is after about four hours. He said that writers become disillusioned as they go back and rewrite the first 100 pages countless times and give up, so he only reads the previous day’s work. He just goes with ‘the winds of the story’. Sometimes he leaves a book, goes away for awhile and then rereads the whole thing again afresh, carrying on from where he left off. What a writer needs he said is tenacity, keep on going with it, don’t ever give up.
A questioner asked Wilbur about his influences, and he said that all writers inspired him, although he had favourites like the Robert Graves ‘Claudius’ books, Hemingway’s ‘Old Man and the Sea’ and John Steinbeck, a writer he thought who had real compassion for human beings in straiten times.
At the end Mary Rhodes asked him about the radio programme ‘Desert Island Disks’ on which he appeared in 1982. She wanted to know if he would take the same book now as then. Then it had been the complete Oxford English Dictionary, the 26 volume set, now he thought, he would take Google. As for his luxury, then it had been a bed and he said he saw no reason to change that, as ‘all good things happen in bed’.
Afterwards, ever the pro, he sat and signed a large pile of his latest book ‘Those in peril’ for fans in the audience.
We started off with a few anecdotes about his early life, as a child shooting pigeons while lying in bed, and a witty story about fishing using a stick of gelignite, which blew up the canoe Wilbur was sitting in. We also heard about how he became an accountant, mainly because his father admired his own accountant, so thought it would be a worthwhile career for his son. He ended up working in a tax office in Harare, and wrote his first book ‘ When the Lion feeds’ in work time on government stationary as he didn’t have a great deal to do.
Mary Rhodes asked him about his hunting and if he felt bad about killing a bull elephant. Wilbur pointed out that when he was a child there was such an abundance of animals it was almost as if they could never end. He also described how hunting could help communities in Africa. If an American hunter will pay $125,000 to shoot an old bull, and that half that money goes to the tribe in the area where the elephants live, then the people will look upon them as an asset, and they will be converted from poachers to conservationists. An old bull will have given all he can to the herd by passing on his genes; many of the younger animals will be his offspring. All he can look forward too is a death by slow starvation as his teeth wear down, so what is so wrong with a hunter shooting him, particularly as so many people will benefit from it?
Wilbur has a soft South African accent and he clearly loves Africa. He said he regarded Africa as a treasure house of stories, which was good because he thought people were fascinated by Africa seeing it as a romantic place full of adventure and danger. It also has such varied terrain and landscapes and well as wonderful flora and fauna. Interestedly he didn’t mention the people, about whom he has always written about with such insight and respect. Asked about how he sees the future for Africa, he said ‘Africa is eternal’ and that countries like South Africa will change but they will survive.
Talking about his writing, he said a writer should write for themselves and should write about what they know about, which is why he always wrote about Africa. A writer should be immersed in their environment in order to be able to write about it. For him, the characters were the most important part of the story, and I was lucky enough at the end to ask him which was his favourite character. Sean Courtney he said,, because he was the first, but he was also very fond of Taita, from the Egyptian series.
Wilber’s advice for writers is to start with a deadline, work business hours, have a daily routine and stop before you get tired, which for him is after about four hours. He said that writers become disillusioned as they go back and rewrite the first 100 pages countless times and give up, so he only reads the previous day’s work. He just goes with ‘the winds of the story’. Sometimes he leaves a book, goes away for awhile and then rereads the whole thing again afresh, carrying on from where he left off. What a writer needs he said is tenacity, keep on going with it, don’t ever give up.
A questioner asked Wilbur about his influences, and he said that all writers inspired him, although he had favourites like the Robert Graves ‘Claudius’ books, Hemingway’s ‘Old Man and the Sea’ and John Steinbeck, a writer he thought who had real compassion for human beings in straiten times.
At the end Mary Rhodes asked him about the radio programme ‘Desert Island Disks’ on which he appeared in 1982. She wanted to know if he would take the same book now as then. Then it had been the complete Oxford English Dictionary, the 26 volume set, now he thought, he would take Google. As for his luxury, then it had been a bed and he said he saw no reason to change that, as ‘all good things happen in bed’.
Afterwards, ever the pro, he sat and signed a large pile of his latest book ‘Those in peril’ for fans in the audience.